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>15th Annual Discovery Tour
>Puppets, Puppets, Puppets!
>14th Annual Discovery Tour
>The Ridiculatron 2000

>Knock, knock – Whose Home?
>The Bird Show
>Bright Idea
>Intimate Geography

 

Knock, knock—Whose Home?
August 19-September 23

Jacqueline Draeger, William Franco & Miki Siefert, Catherine Hollander, Daphna Lapidot, Eve Luckring, Karl Petion, Amar Ravva, Francisco Romero, Evelyn Serrano, Rachel Siegel, and Laura Silagi & David Ewing.

Curator Nancy Buchanan brings together a group of artists working in various media, whose works touch on various aspects of the multifaceted notion of what constitutes “home.” Artists dream about it, revisit family places, and examine what “rights” may be involved in finding, creating or preserving such a place.

In addition to the exhibit, there will be a closing evening of screening of experimental video by Francisco Romero and Catherine Hollander, as well as Laura Silagi and David Ewing’s Lincoln Place, documenting the redevelopment of one of the last affordable apartment buildings in Venice, as well as discussion of local hillside development issues in our Northeast neighborhood on September 23, at 7:30 pm.
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Jacqueline Dreager’s small photographs transport the viewer to an ancient ruin, an archeological dig site. Taking a closer look, images of steel-jawed earthmoving machines appear. Poised on the already rubble-scarred hill ready to gobble up native walnuts, oaks, toyons and what was once a garage built into the hillside, these acid yellow monsters appear to soften in their cloak of sepia. But don’t be taken in. What was once home to native trees that nourished wild life is now a memory, a blip on the screen. The artist has walked the dirt road in front of what was once a lush hillside across from her house for 35 years. It is now at street level awaiting nine stucco boxes that someone—not a redtailed hawk—will call home.

Jacqueline Dreager is a second generation Angelino. “With an interest in archeology as a child, I would often dig for fossils and “precious” stones. Growing up in the San Fernando Valley was quite wonderful, except that we moved from house to house because my mother couldn’t tolerate the neighbors. My grandparents had a small chicken and rabbit farm with huge pepper trees and exotic iris plants. Not enough sun to grow iris on my own property. . . but I did plant two pepper trees.”

“My father was a special effects wizard for the movie industry and I learned to work with resin and manipulate materials at an early age. Since 1990 I have completed 12 public art projects and have had numerous shows.”
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In Memories of Home, by William Franco & Miki Seifert, the video story of a campesino dying in the Arizona desert plays out on a child’s wooden table.

William Franco, a 2006 Fulbright Scholar and graduate of the California Institute for the Arts, is a video installation artist and Butoh dancer. Having worked in the film and video industry for over 15 years, he brings a high level of technical expertise to his art. Miki Seifert is a Butoh dancer and video installation artist. A graduate of Moravian College, she uses her training in Political Science to conduct research and in-depth analysis of the topics explored in her art.
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Catherine Hollander says of dreamhouse (video, 2005, rt: 4:30): “The house I grew up in returns to me in dreams – as if the subconscious itself is structured by these rooms, spaces, stairwells. The footage was shot in the suburban Midwestern house that was my family’s home for 36 years. The video is a dark and funny attempt to put physical and mental realms into direct dialog.”

Catherine Hollander was born in St. Louis, Missouri, and often returns there in dreams. She is a media maker and writer and works as a film and video editor on a wide variety of projects.
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Daphna Lapidot’s installation of audio with photographs, complemented by video and drawings portrays Villa Fatima, June 2001. The on-site circus school is run by an association Toile de Cirque. created by Julien Heron, David Lippe, and Mael Francois.

Born in St.Louis,Missouri, Daphna Lapidot recieved her M.A. in film studies from Northwestern University in 1991. In 1996, she received her M.F.A. from the Film and Video School at California Institute for the Arts. Following her graduation, Daphna received a Fulbright to complete a documentary film in France.
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Tanka (a form of Japanese poetry that dates back to the 5th century) and photographs observe the changing landscape of Eve Luckring’s neighborhood and the idiosyncrasies that have made Los Angeles her home.

Eve Luckring is an internationally exhibited video and installation artist living in Los Angeles.  Her work has been exhibited in traditional art spaces, such as the Museum of Contemporary Art, Los Angeles, as well as projected on buildings, store-front windows, and outside urban LCD displays in Ekaterinburg, Russia, Marseilles, France and Sante Fe, New Mexico.  During the 90’s she collaboratively produced site-specific environmental installations in Los Angeles nightclubs involving performance with multi-channel video and slide projections.
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Karl Jean Petion will show some recent Compositions composed entirely of cursive writing in colored ink on paper. Petion calls his technique “overwriting”; repeated words become lost within the forms made by dense repetition, dissolving into shimmering shapes, some of which borrow their form from voudoun figures.

Karl Jean-Guerly Petion was born Port-au-Prince Haiti and grew up in a large family with cousins and uncles. Exposed to journalists, actors, visual and performing artists, Karl identified as an artist from an early age. After their father’s passing, US immigration admitted the children to join their mother in Brooklyn New York in 1983. Mr. Petion received his BFA from the Kansas City Art Institute and an MFA from Calarts.
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Amar Ravva’s parents purchased the model home in a Bay Area development, then re-modeled the new house to conform to Hindu feng shui principles called Vastu Shastra. Ravva creates a miniature of his parent’s home for this exhibition.

Amar Ravva is working on his first manuscript, a work of non-fiction called American Canyon, that blends South Indian and Californian history, memoir, poetry, documentary, and compassion. When he is not writing or producing art, he teaches critical thinking, argumentation, and writing skills to the students of Glendale Community College, works as a video engineer for the interdisciplinary theatre company About Productions, and freelances as a web designer.
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Francisco Romero will show PHOTOS FROM MY PARENTS’ HOME: south gate, an all-american city est. 1945

Color photographs of the artist’s parents’ first and only home in the city of South Gate, which they bought in 1985, are accompanied by text chronicling the family’s first impressions of the city and their new home, as well as text about how the city has changed over time.

Francisco’s work was included in the recent CalArts retrospective at MOMA in New York. “I became interested in art at a very early age but did not pursue it until much later in life. I began making films and videos at the age of 24 as an undergraduate while at Long Beach State. I continued my education at CAL ARTS where I received an M.F.A. in 2004. I currently reside in Los Angeles with my wife, a teacher of seven years.”
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Evelyn Serrano’s installation of three-dimensional drawings creates its own map, its own utopian archipelago of the domestic and the newly found. Borges, Calvino, the Dictionary of Imaginary Places, the Border Patrol, and Fidel are abundantly quoted (and misquoted) on the elusive volumes conforming this installation.

Evelyn Serrano left her home country Cuba when she was 19. Since then, she has lived in many different cities and homes, has made work and curated several national and international exhibitions on the subject of displacement and home, has had a child, has forgotten to call her father in Cuba for his birthday, has played, loved and questioned much. Currently she “keeps staying” in Los Angeles and is in the process of finding a two bedroom house with a backyard. 
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Rachel J. Siegel’s Windows Home is an installation project utilizing the gallery windows as a site for reflection on issues of the United States as home. Using materials that play and interact with the natural light, the illumination for the installation comes from the outside, cast through the windows. The windows act as a barrier to the outside world while simultaneously allowing viewers to peek inside. This metaphor speaks to all those who came across the borders in the past, and more poignantly to the potential immigrants who wish to come to the US today. The artist traces the trajectory of her family’s own immigration, asking the question of what makes “America” her home. Siegel uses her life as a framework to ask viewers about their own experience of home. Hopefully viewers will use the installation as a map to chart their own history and relationship to US as their home.

Rachel J. Siegel is an artist and educator who currently lives, teaches and makes art in Portland, Oregon. Her current work incorporates photography, digital prints, artist’s books, video, and installation. Most recently Rachel exhibited a solo installation, Seam-Sew Ordinary, at the University of Washington, Tacoma Campus Gallery. She was born and raised in Los Angeles and received her Bachelor of Arts degree at University of California, Berkeley. In 2002, she completed a Master of Fine Arts at University at Buffalo, State University New York. Her work has been shown nationally and internationally, including Japan, Germany, Hungary, Sweden, Serbia and Canada.
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Lincoln Place is a documentary video by Laura Silagi and David Ewing about Lincoln Place Apartments, in Venice, California. An historic garden apartment complex completed in 1951 to house returning GI’s and their families after WWII, Lincoln Place is now being emptied of tenants to make way for the demolition of the buildings and the redevelopment of the property into high-end rentals and condominiums. On December 6, 2005,  nearly 60 Lincoln Place households, including many with children, were locked out of their apartments in the largest single day eviction in the history of Los Angeles. Only elderly and disabled tenants, some of whom have lived at Lincoln Place for as long as 40 years, were allowed to remain, and AIMCO, the corporate landlord and owner of the largest number of apartment units in the U.S., is threatening to evict these tenants at the end of this summer.  Lincoln Place spotlights this situation, as well as efforts by tenants and members of the community to save this historic complex and allow tenants to remain in their homes.  The video is a true collaborative effort, with footage, photographs, sound, and technical assistance provided by both tenants and Venice community members.
 
David Ewing is an award-winning filmmaker, and Laura Silagi is an artist whose work deals with social and political issues.  Both are long-time neighbors of Lincoln Place Apartments, and friends of many who live there. Silagi and Ewing have also worked on community issues, especially that of community control of real estate development.

 

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